Before creating our title sequence, our group needed to have a clear plan on what shots would go where and the order of the titles in the sequence. Here is the rough draft of our storyboard drawn by Maria.
Here you can see the range of shots we plan to use, such as close-ups, medium shots and long shots. We also plan to use different angles along with those to make it look more interesting and not one-leveled. Certain shots used with the close-ups help focus on specific parts of the mise-en-scene. For example in the first picture in the fourth box we want to use a close-up to focus on the objects in the killer's draw (weapons and beauty products). The focus will allow our audience realise that there is something off or wrong with this seemingly sweet and innocent-looking character.
This storyboard will also allow us to know what sound these shots need. In the third box in the first picture my group and I will understand that we will need the sound effect of a spraying perfume bottle. We know that sound is just as important as the visual so our storyboard will help us keep note of that.
Our titles in this sequence do not stray far from the conventional order found in typical movies like 'The Stepfather'. However the one thing unconventional is that the title comes towards the end rather than the beginning. This will have our audience remember our film name and how it fits in in this sequence.
This is only a draft of our plan and we expect there to be a few changes when we come to our final storyboard. However they should stay along the same lines as this original draft.
Here you can see the range of shots we plan to use, such as close-ups, medium shots and long shots. We also plan to use different angles along with those to make it look more interesting and not one-leveled. Certain shots used with the close-ups help focus on specific parts of the mise-en-scene. For example in the first picture in the fourth box we want to use a close-up to focus on the objects in the killer's draw (weapons and beauty products). The focus will allow our audience realise that there is something off or wrong with this seemingly sweet and innocent-looking character.
This storyboard will also allow us to know what sound these shots need. In the third box in the first picture my group and I will understand that we will need the sound effect of a spraying perfume bottle. We know that sound is just as important as the visual so our storyboard will help us keep note of that.
Our titles in this sequence do not stray far from the conventional order found in typical movies like 'The Stepfather'. However the one thing unconventional is that the title comes towards the end rather than the beginning. This will have our audience remember our film name and how it fits in in this sequence.
This is only a draft of our plan and we expect there to be a few changes when we come to our final storyboard. However they should stay along the same lines as this original draft.
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